The occasional use of son clave contradicted what I was learning about rumba at the time, the songs are all pretty short and go right to the coro, the tres/dos and the tumbadora stay pretty constant throughout, and the energy just overall felt low compared to other things I was listening to at the time, like "Rumba Caliente 88/77" by Los Muñequitos. I got it right as I was starting to get into rumba, around 1994.īut I never really got into it. This was one of the first Carlos Embale recordings I ever owned.
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